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Poems

Issue Nº  4


Mary di Michele: 2 Poems


My False Faith

 

My first doubt came with my first real sin

though I longed for a simple faith, I longed

to be oblivious as a boy playing

ball in a sunlit field.

 

Stepping from bright sunlight into the dark

dank church I could not see, I could only

smell wet plaster and the pungent cedar

timbers. I knelt at the feet

 

of the statue of the Madonna, her robe

dipped in the molten blue of the serene

sky I left behind to plead for forgiveness,

to pray to change, to pray

 

to be like other men – upstanding – not

to hide watching, different and desiring.

After a hundred Hail Mary’s I could

hear her breathing. She seemed

 

to sway, her arms outstretched, not to embrace,

but for balance, her first toddling steps were

to be made for me. Still she came no closer;

painted pink, her lips did

 

not part, did not speak and I felt bereft,

left with a keen nostalgia for the Divine

that would never again be mine. There were

sins I dare not divulge

 

to this day. I prayed for N. dying in

his narrow bed, brow burning with fever,

a glistening moustache of sweat where no hair

had yet to darken his philtrum.

 

His pending death had to be a punishment

from above. I prayed that it be mine, not

his. I promised not to touch him again

if Heaven would spare him!

 

I wrote these confessions, false promises

in Greek in the margins of my notebook

so that no one could read them. I offered

my life instead, but my mother

 

still grieved for Guido and I was her last,

her only son while N’s mother had four

other boys. And so went my petty, my

puerile bargaining with the Virgin.

 

The next day with N. fully recovered

from the flu, the sniffle fear had inflated

into pneumonia I could not escape

my plague, nor resist the dark

 

rose of his budding body, so I just

kept breaking anew my vows not to touch

the boy sacrificing his innocence

to my lewd caresses.

 


 

Red Rags Where My Heart Used To Be

 

Winter seemed to return the day we left

the home we had known for two years for Valuta.

The sky was blanched, the countryside, muddy

and bare. In ploughed fields, water

 

brimmed, furrows forming long canals. Under

dark, bloated clouds lay an expanse of ruin.

The smell of smoldering coal, the smell of charred

bodies stoked our fears.

 

Our wagon had to go around huge mounds

of debris blocking the roads. In this wreckage

of land, in this land of wreckage there was

no one. The groaning wheels echoed

 

from deep craters left by the bombs as if

the sound of pain were the only sign of life.

In the rubble that had once been homes, here

 and there from twisted beams and

 

crumbled walls hung red flags, really just rags,

sagging with rain, warning against sleeping

bombs. Three marked our house, less fit to live in

without G. than without walls.

 

We had worked all day loading the wagon

with our belongings. N. helping. Impressed

by our middle class things, a silk pillow,

a rare vase, he seemed to enjoy

 

the work so I enjoyed it too. Now he

was walking beside me behind the cart,

his shirt was drenched with rain and sweat, his coarse

trousers were mud-splattered, his dark

 

curls matted, and this made him all the more

desirable to me. G. was gone. Even

though I had N. nearby, constant, caring,

hanging on my every word,

 

the boy was not truly mine. In my reckless,

unruly –– in my O so stubborn heart,

without the sex the world calls a vice, no

other love could suffice. 

 


Poet, novelist and member of the renga group, Yoko’s Dogs, Mary di Michele is the author of ten books including a selected poems, Stranger in You, and the novel, Tenor of Love. She lives in Montreal where she teaches at Concordia University in the creative writing program.






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Literary
Reference
.  "Mary di Michele: 2 Poems."  Poetry Quebec. Poems :   Eds. Endre FarkasElias LetelierCarolyn Marie Souaid.  Montreal:  Issue Nº  4   .   Aug 1, 2010. 
ISSN: 1920-289X   <    >
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